Review of the Week: How To Make a Killing
John Patton Ford's remake of the Ealing comedy Kind Hearts and Coronets updates the old film for the oligarch era with leading man Glen Powell and some deserving 21st-century victims, writes Nerve film critic Ellen E Jones
Culture
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Mills & Boon meets TikTok: as literary adaptations go, this Wuthering Heights is a bit clueless
The problem with Emerald Fennell’s adaptation is not the mad casting or that it’s unfaithful to the novel; it’s that it isn’t true to the teenage experience of raunchy, reckless first love, writes Nerve film critic Ellen E Jones
Culture
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Review of the Week: My Father’s Shadow
British-Nigerian director Akinola Davies Jr's acclaimed debut about an estranged father spending a busy day in Lagos with his sons, is a radiant and moving film about parents and children everywhere, writes Ellen E Jones
Culture
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Review of the Week: Hamnet
Chloé Zhao’s Bard drama with its powerhouse lead performance from Jessie Buckley is hotly tipped for success. But is it just a deluxe version of Shakespeare in Love? writes Ellen E Jones
Reviews
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Review of the Week: Marty Supreme
Timothée Chalamet’s propulsive energy lights up Josh Safdie’s new film about a table tennis hustler who’s on his way to the top, writes Ellen E Jones
Culture
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Review of the Week: It Was Just an Accident
The extraordinary new film by dissident Iranian auteur Jafar Panahi is a thriller, a fable about state repression and a road movie all at once, writes Nerve film critic Ellen E Jones
Reviews
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