Parlour games and real-life pain: the enduring, subversive power of Agatha Christie
As a season of Christie TV, theatre, books and events kicks off, Dorian Lynskey sees the author’s everlasting play The Mousetrap for the first time – and finds it far from what he was expecting
Culture
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Jon Ronson: ‘The worst moments of my life are when I’m between stories’
As his new book The Castle is published, the author and journalist talks to Dorian Lynskey about male midlife crises, country life and why he’s written about his former friend Graham Linehan
Q&A
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Review of the Week: Game of Thrones: The Mad King at the RSC
The stage version of George RR Martin’s blood-and-thunder saga is spectacular, serious, surprisingly empathetic – and could turn out to be a blockbuster, writes Nerve theatre critic Dorian Lynskey
Reviews
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Review of the Week: Tao of Glass at Soho Place
Phelim McDermott’s passion-project tribute to, and collaboration with, the composer Philip Glass may not be for everyone, but its audacity and originality shine through, writes Nerve theatre critic Dorian Lynskey
Reviews
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Review of the Week: Glengarry Glen Ross at the Old Vic
Patrick Marber’s daring female reimagining of Mamet’s testosterone-soaked classic shows that capitalism can make a desperado of anyone, writes Dorian Lynskey
Reviews
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Review of the Week: Mass at the Donmar
Fran Kranz’s play, about two families’ long-delayed reckoning in the wake of a school shooting, is moving and superbly acted but not to be entered lightly, writes Nerve theatre critic Dorian Lynskey
Reviews
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Review of the Week: Romeo and Juliet / Les Liaisons Dangereuses
Two inventive, high-profile openings pay striking testament to the dangerous power of love, writes Dorian Lynskey
Reviews
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Orwell, Trump and the persistence of fascism: ‘He was giving us a warning’
Raoul Peck, director of a new film about the author, tells Dorian Lynskey that the dystopia of Nineteen Eighty-Four was drawn from lived experience, not prophecy
Culture
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In a world of war, abuse and rising fascism, ‘woke’ was never the enemy
Mainstream conservatives and even centrists rounded on progressive culture as though it were a threat to society. Now they see where the real threat lay, writes Dorian Lynskey
Politics
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Review of the Week: Summerfolk at the National theatre
Maxim Gorky’s pre-revolutionary play about wealthy Russians on the brink of chaos is reborn in a five star, distinctly relevant revival, writes Nerve theatre critic Dorian Lynskey
Reviews
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Review of the Week: Dracula at the Noel Coward theatre
Cynthia Erivo is a remarkable presence playing every character in this multimedia gothic revival – even if it feels more like watching an arena concert than a play, writes Nerve theatre critic Dorian Lynskey
Reviews
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'There has to be a way to actively oppose these thugs without losing ourselves': novelist George Saunders on life in America now
The Booker prize-winning author of Lincoln in the Bardo, whose new novel imagines the last hours of an oil tycoon, talks to Dorian Lynskey about Trump, truth and how to reconcile empathy with political opposition
Culture
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Review of the Week: Oh, Mary! at Trafalgar theatre
A huge hit on Broadway, Cole Escola’s history-busting comedy about Mary Todd Lincoln - Abraham’s wife - is wild, subversively queer and riotously funny, writes Dorian Lynskey
Reviews
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Review of the Week: All My Sons
Ten years after his first triumph with an Arthur Miller play, director Ivo Van Hove has returned to the American dramatist and produced another masterpiece that feels startlingly current, writes Dorian Lynskey
Reviews
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